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This year’s Expanded Animation will take place at the Ars Electronica Center in Linz, Austria.

Expanded Animation 2022

The tenth edition of the Expanded Animation Symposium, organized by the Hagenberg Campus of the University of Applied Sciences Upper Austria and Ars Electronica, will take place from September 9th to 11th as part of the Ars Electronica Festival 2022.

In its ten-year history, the Expanded Animation Symposium has continually examined the vast and constantly evolving field of animation and its myriad connections to other disciplines. Along this journey, the symposium has featured prominent and upcoming people, projects and perspectives that have significantly shaped the current animation landscape. In addition to becoming a regular part of the Ars Electronica Festival, the symposium itself has also continued to expand, developing from an initial one-day event to a three-day affair that includes multiple tracks, exhibitions, performances and even an additional symposium, Synaesthetic Syntax.

After two years of virtual events hosted by the Hagenberg Campus of the University of Applied Sciences Upper Austria, this year’s symposium will return as a physically accessible venue for the first time at the Ars Electronica Center in Linz. Over the course of the three-day event, the speaker panels will feature several international artists, researchers, and developers who will discuss—in a live setting—current processes of change in the expanded field of animation.

SPEAKERS

The speakers for Expanded Animation 2022 are confirmed and we’re proud to introduce them to you.

Prix Forum

Isabelle Arvers
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Isabelle Arvers

isabellearvers.com

Yoriko Mizushiri
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Yoriko Mizushiri

imoredy.com

Marc Hericher
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Marc Hericher

marc-hericher.com

Rashaad Newsome
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Rashaad Newsome

Rashaad Newsome Studio

Art & Industry

Martin Retschitzegger
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Martin Retschitzegger

m box

Paul Pammesberger
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Paul Pammesberger

Sony Pictures Imageworks

Ben Wahl & Brian Main
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Ben Wahl & Brian Main

Causa Creations

Artist Position

Yoni Goodman
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Yoni Goodman

yonigoodman.co.il

Robert Seidel
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Robert Seidel

robertseidel.com

Alex Verhaest
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Alex Verhaest

alexverhaest.com

ASIFA Austria Forum

Reinhold Bidner
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Reinhold Bidner

gold extra

Michelle Kranot
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Michelle Kranot

TinDrum

Martina Scarpelli
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Martina Scarpelli

martinascarpelli.com

Jan Chlup & Radim Jurda
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Jan Chlup & Radim Jurda

Amanita Design

Games & Art

Isabelle Arvers
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Isabelle Arvers

isabellearvers.com

Margarete Jahrmann
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Margarete Jahrmann

University of Applied Arts Vienna

AI & Creativity

Philippe Pasquier
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Philippe Pasquier

Simon Fraser University

Martin Pichlmair
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Martin Pichlmair

IT University Copenhagen

Expanded & Hybrid

Frank Geßner
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Frank Geßner

Film University Babelsberg KONRAD WOLF

Eva Fischer
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Eva Fischer

CIVA

Franziska Bruckner
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Franziska Bruckner

St. Pölten University of Applied Sciences

Synaesthetic Syntax: Gestures of Resistance

Andy Buchanan
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Andy Buchanan

Purdue University

Jānis Garančs
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Jānis Garančs

garancs.net

Jana Horáková
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Jana Horáková

Masaryk University

Liliana Conlisk Gallegos
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Liliana Conlisk Gallegos

CSU San Bernardino

Farzaneh Yazdandoost
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Farzaneh Yazdandoost

Art University Bournemouth

Yoichi Nagashima
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Yoichi Nagashima

Shizuoka University of Art and Culture

Aristofanis Soulikias
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Aristofanis Soulikias

Concordia University

Birgitta Hosea
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Birgitta Hosea

University for the Creative Arts

Rose Bond
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Rose Bond

rosebond.com

Juergen Hagler
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Juergen Hagler

FH Oberösterreich

PROGRAM

This year’s symposium features eight distinct tracks: the Prix Forum, the panel Artist Position, Art & Industry, Games & Art, AI & Creativity, Expanded & Hybrid, the Synaesthetic Syntax conference, and the ASIFA Austria Forum.

All scheduled times are local Austrian time (Europe/Vienna). Use the dropdown below to switch to a different timezone.

Expanded Animation Publication

Expanded Animation – Mapping and Unlimited Landscape

The symposium Expanded Animation began in 2013 and offered a first approach to the expanding field of computer animation. It has since become an established part of the Ars Electronica Animation Festival and the international competition Prix Ars Electronica Computer Animation. Every year under an overarching theme, the symposium has researched the field of technology, art, animation, and aesthetics, investigated the collapsing boundaries in digital animation, and explored positions and future trends. As with the first conferences on computer animation at Ars Electronica in the 1980s, practice and theory are equally important. The richly illustrated publication Expanded Animation: Mapping an Unlimited Landscape features contributions from speakers and artists from the past six years and presents an overview of the prize winners in prix category Computer Animation from 2011 to 2018.

250 pages, 250 Illustrations

BUY ONLINE

SYNAESTHETIC SYNTAX

A scene from Machine Memoires: Space by Refik Anadol
Refik Anadol, Machine Memoires: Space

Synaesthetic Syntax: Gestures of Resistance

Symposium details: Sunday 11th September 2022, Ars Electronica Center, Linz, Austria.

Synaesthetic Syntax is part of the Expanded Animation events at the Ars Electronica Festival. This one-day symposium explores the complex relationship between sensory perception and expanded animation. In focussing on the primacy of the senses, the symposium aims to ask questions about the seduction of technology and how to maintain a discourse of what is fundamental about being human. This year’s theme is touch, gesture and physical movement. The symposium will take place in Linz and in-person attendance is preferred. All selected speakers will be given a free pass to the 2022 Ars Electronica Festival.

To be human, to be in a body, is to move and to feel; to move as it feels and to feel itself moving. However, bodies do not exist in isolation. Bodies collide with one another in social contexts. They have the power to affect others or to be affected themselves. Bodies are structured by culture, but they can also resist. Motion and sensation felt in the body lead to change.

At the time of writing, a line of tanks, armored vehicles and troops 40 miles long approaches Kyiv, literally illustrating change in motion through technology. How can animation respond to this? How might technologies of gesture, proprioception and motion be used to create animation that goes beyond formalism and is able to reflect upon the forces that seek to contain movements towards change?

The sensation of touch can be brutal and violent or tender and loving. Through ‘haptic visuality’, a sense of touch can be evoked in animation by triggering physical memories of smell, touch and taste that engage the viewer bodily to convey cultural experience rather than through use of language. How can touch be used in animation to create community or share memories?

List of Topics

Some of the questions we invite you to consider:

  • How to critically reflect on the tools and technologies of touch and movement used to create animation – motion capture, tablets and pens, sensors – and the data sets and libraries that they create?
  • How might the capture of motion, gesture and proprioception be used to innovate and tell stories of new communities?
  • What is the role of touch in conveying memory?
  • How might touch and biofeedback data be used in new ways to create animation?

Program

You can find the schedule for Synaeathetic Syntax under Program. Switch to 11/09/22 for the exact times.

Committees

The symposium is jointly organized by Dr. Juergen Hagler, Ars Electronica, University of Applied Sciences Upper Austria, Hagenberg and Professor Dr. Birgitta Hosea, Animation Research Centre, University for the Creative Arts, Farnham, UK.

Scientific committee: Professor Rose Bond, PNCA, USA; Associate Professor Max Hattler, School of Creative Media, CityU, Hong KongSchool of Creative Media, CityU, Hong Kong.

Venue

The conference will be held at the Ars Electronica Centre, Sky Loft (Floor 3) (Ars-Electronica-Straße 1, 4040 Linz) as part of the Ars Electronica Festival in Linz, Austria. The media festival will take place on the 7th–11th of September 2022: https://ars.electronica.art/festival/en/.

Contact

All questions about submissions should be emailed to animationresearch@uca.ac.uk.

VIDEOS

Videos from Expanded Animation 2022

PARTNERS & CREDITS

Partners

The symposium has been made possible through a collaboration between the Digital Arts program at the Hagenberg Campus of the University of Applied Sciences Upper Austria, the University for the Creative Arts, and the Ars Electronica Festival. We want to thank the following sponsors for their support.

Supported by

Organization

Expanded Animation is brought to you by a group of dedicated people from the University of Applied Sciences Upper Austria, Hagenberg Campus (FH OÖ), the University for the Creative Arts, Farnham, UK (UCA), and Gold Extra.

Conference Organizers

Juergen Hagler | Symposium Chair, Ars Electronica Animation Festival Director
Alexander Wilhelm | Co-Chair Expanded Animation, FH OÖ
Birgitta Hosea | Co-Chair Synaesthetic Syntax, UCA
Patrick Proier | Co-Organizer, Head of Production, FH OÖ
Christoph Schaufler | Co-Organizer, Head of Production, FH OÖ
Jeremiah Diephuis | Co-Organizer, FH OÖ
Michael Lankes | Co-Organizer, FH OÖ
Huoston Rodrigues | Co-Organizer, FH OÖ
Reinhold Bidner | Co-Organizer, Gold Extra
Wolfgang Hochleitner | Co-Organizer, Head of Web & Social Media, FH OÖ

Team

Axel Bauer | Production Director, FH OÖ
Selina Behrens | Graphics &  Studio Engineering, FH OÖ
Laura Edl | Associate Director & Video Documentation, FH OÖ
Elias Engel | Audio & Associate Director, FH OÖ
Veronika Frei | Photo Documentation & Social Media, FH OÖ
River Gadermaier | Associate Director & Camera, FH OÖ
Nils Gallist | Social Media, FH OÖ
Samuel Hackl | Camera & Production Director, FH OÖ
Sarah Haim | Associate Director, Camera & Studio Engineering, FH OÖ
Cedric Hansalek | Studio Engineering, Teaser & Video Documentation, FH OÖ
Nico Hartl | Trailer, FH OÖ
Josef Ibrahim | Associate Director, Social Media & Trailer, FH OÖ
Mario Kassin | Camera, Photo Documentation, Teaser & Trailer, FH OÖ
Kevin La | Associate Director, Graphics & Web, FH OÖ
Daniel Leichinger | Production Director, FH OÖ
Jakob Mayr | Audio, FH OÖ
Selina Mensah | Camera, Social Media & Studio Engineering, FH OÖ
Isa Pilzer | Trailer, FH OÖ
Tobias Pfeil | Audio, FH OÖ
Jan Russinger | Trailer, FH OÖ
Lilith-Isa Samer | Audio & Social Media, FH OÖ
Anton Schneeberger | Graphics, FH OÖ
Jessica Studwell | Video Documentation, FH OÖ
Elias Wolschlager | Web, FH OÖ
Jennifer Ye | Graphics & Web, FH OÖ

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